Imma let you finish, but 6:35 into “Badman’s Song” Pino Palladino unleashes the epic bass fill OF ALL TIME 🤯🔥.
I’ve listened to Tears for Fears’ The Seeds of Love dozens of times and somehow missed it amongst the piano and drums fireworks (Oleta Adams and Manu Katché 😍), until someone pointed it out in comments on a video about another extraordinary run that Palladino dropped on John Mayer’s “Who Do You Think I Was” (How PINO PALLADINO played the PERFECT bass fill). In my defense, it’s two understated seconds in the mix and overshadowed by all the other sterling musicianship on this big album (“Its lengthy production and scrapped recording sessions cost over £1 million” – Wikipedia). I’m gonna need a bigger woofer 🔊 for this and Jaco Pastorius on “Havona”.
Continued use of skierpage.com has certain requirements…
I got a notice from the Department of Internet Money that I risk losing the skierpage domain if I only ski once a season, so despite a poorly elderly dog we drove the (relative) backroads to Kirkwood, a return after 30 years. Past industrial cherry orchards, the smallish Tesla Megapack factory in Lathrop (“expected to produce 40 GWh of battery systems annually” to provide a few hours of power to the grid after the sun goes down or the wind isn’t blowing), vineyards, and the gold rush town of Jackson (where Mel and Faye’s Diner has 5 recent pinball machines in perfect condition and a row of Tesla Superchargers in the back).
Kirkwood, the least Vail-like resort in the Epic system
Kirkwood was ridiculously chill, probably less than 200 people on the slopes. Most things were closed including the ski school and the Timber Creek beginner area. The backside (really the side-side) was only open Fri-Sun 😢.
One irritation is we bought 3-day passes at Kirkwood for $306 per adult ($102/day), but an Epic day pass granting one three days at Kirkwood, and 31 other resorts, and bigger discounts on ski rental, was only $223 ($74/day). That’s still a lot for five chairlifts, only one a fast detachable quad.
A lot of snow
The one cool ski region on Earth!
I was in Tahoe for 2010-2011’s mammoth snow year (810 inches – 67 feet! – of snow at Squ— uhh, Palisades Tahoe), but this season was still impressive. The US West was one of the few places on Earth that had a cooler than normal winter, and it snowed and snowed. The garage in the picture is below grade but look at how high that snow bank extends: we heard the faint wails of people who have been trapped in the ground floor units for months.
Not-so-expert
As a result of all the snow, double black-diamond ◆◆ routes like “THE WALL” (normally an intense 8-foot drop-in) were mellow snow fields. Skiing the cream on great all-mountain skis (the Völkl M6 Mantra, the Blizzard Black Pearl for shred Betty) was a pleasurable echo of making turns in powder.
not with this much snow
Banked trench madness
We saw an intriguing ‘S’ shape cut into the snow in the distance and skied over to it. It was a ridiculously tight channel with banked walls. I tried skiing it and immediately was out of control, unable to slow down, and had to fly out. A lift operator said it was from a banked slalom contest earlier in the season, but Kirkwood’s Annual Banked Slalom “held in Snow Snake Gully” seems different, way bigger turns in a wide gully lower down that was fun and fairly easy to ski.
I tried to improve my carving. I learned to do true carves by making railroad tracks on the Mountain Run at Palisades Tahoe: “just” pull up on a big toe+little toe pair to put both skis on edge, and hold it as your skis start to turn. You can either wiggle side-to-side or blast into huge radius turns. Fun, but it meant I never got used to being in extreme extension carved position with hip and knuckles dragging in the snow like the Giant Slalom champ and turn genius Ted Ligety (this New York Times video segment is sensational); and I never learned to punch into carved turns on steeper slopes. So I watched a bunch of YouTube videos that purported to teach carving. Many were promoting the CARV bluetooth footplates (??!), many went on and on about the position you need to be in without giving any drills to get into that position; many gave useless techno-spiel advice like “straighten the new outside leg to apply pressure early in the turn and keep moving your Center of Mass down the hill.” Arggh. I found a fewdrills that helped a little, and I think I got a little better.
Runaway ski
In the old days you would hear “Runaway ski!” with some 204cm missile hurtling down the slope. Now ski brakes pop out to slow down skis that come off, but when shred Betty launches a ski like a javelin down a steep slope in a patented “ass over teakettle” maneuver, it can take a while. Sideslipping down a steep ungroomed slope on one ski is a great drill…
THE INFINITE is one of the best VR exhibitions I’ve experienced (and I’m lucky to have strapped into Char Davies’ unbelievably great Osmose and the PHI Centre’s Horizons VR greatest hits exhibition, and even the early 1991 Dactyl Nightmare VR game ).
Trust me, these people are enjoying an amazing experience in space station space.
These people are wandering in and around the International Space Station, reaching out to various glowing orbs that trigger brief immersive videos filmed at that location of the actual astronauts working and talking. The way the VR presents the other patrons as shimmering volumes so you see but don’t see them, and the floating video cameras that suggest where to look are so well-done. Then you watch a spacewalk in VR and it’s genuinely tense and eerie like the movie “Gravity” to watch people working in free-fall around the Earth at 7.66 km/s (17,000 miles per hour): one slip and they’ll drift away beyond rescue. Then in real life you enjoy some immersive middling artworks. The exhibit seems to be on tour, so if you get a chance to see it, GO! I think it would be pretty good to just see it at home alone with a VR headset, moving between each glowing orb with a controller; but the experience of walking around with another disembodied person and counting down “3-2-1 touch” to simultaneously view each VR movie is quite special.
The International Space Station
International Space Station, by NASA/crew of STS-132 as it undocked
The ISS is one of the singular achievements of humanity. As Peter Schjeldahl (RIP) wrote in the New Yorker about Richard Serra’s triumphs of metal sculpture, “Serra conserves a battered modernist confidence in the collective genius of experts, a priestly class that confers meaning and direction on society.” In this case, engineering experts built a technology stack with extraordinary care and dedication (and ~$100 billion) that lofted 420,000 kilograms of advanced stuff into low Earth orbit so a handful of people can live and work 400 km (250 miles) above the Earth. Humanity can do great things.
Daydreamed not
When I bought my Pixel 3 I was happy to spring for Google’s $79 Daydream View headset and controller phone accessory. I like videogames, I’ve enjoyed most of the VR experiences I’ve seen outside the house. But even though I enjoyed tossing things into a lake and exploring the Taj Mahal, I only ever used it twice. Every time I read about a cool VR artwork or experience I meant to take it off the shelf, recharge the Daydream headset and controller, put my phone in the headset and strap it on my head, calibrate it, then enjoy an immersive world. But I didn’t, and of course Google canceled it.
Jimmy Fallon: Welcome welcome to the Tonight Show. Tonight we’re so honored. This season she surpassed the great Lindsey Vonn and the legendary Ingemar Stenmark with EIGHTY-SEVEN World Cup wins to stand alone as the G.O.A.T., the greatest alpine skier of all time, our friend MIKAELA SHIFFRIN!
A group of oiled scantily-clad muscular men and women wearing ski boots raise ski poles to form an archway, through which another group carry a palanquin made out of skis, on which resides Mikaela Shiffrin. They lower it and she steps off as more acolytes toss glittering snow and a couple of goats with cowbells walk around.
Jimmy Fallon: Welcome. What a season. You were overall World Cup champion for the fifth time and you’re the winning-est ever. How are you doing? Have your feet touched the ground or are you carried everywhere?
Mikaela Shiffrin: …
Jimmy Fallon: When you equaled Ingemar Stenmark’s 86 world cup victories, you said “for me, the biggest dream is to be mentioned in the same sentence as the Swedish legend.” That’s respect. Did you read what he said about you[pulls out card]: “She’s much better than I was… She has everything. She has good physical strength, she has a good technique, strong head.” What does it mean to you, that acknowledgement from your idols?
Mikaela Shiffrin: …
Jimmy Fallon: And how strong IS your head? Is that a Swedish weightlifting thing? Why do you even wear a helmet?
Jimmy Fallon: It feels weird, but let’s talk about failure. Some say on the biggest stage, the Winter Olympics, you choked: in 2022 you blew a turn in your two favorite events and did not finish, and your best result was 9th place. But! First, you have two gold medals and a silver from previous Olympics, come on! one of the best Olympic records of any American skier, ever! [wild applause and cheering from the audience] Second, you were the 9th best skier in the world at an Olympic event! Hey audience, raise your hand if you’re the 9th best in the world at anything! [Camera pans around audience, very few have their hands raised, camera continues panning to the Roots (the Tonight Show house band); every musician has his hand raised.]
Jimmy Fallon: that’s fair, the Roots are the best band on TV. OK, but I meant in athletic achievement. [Hands go down, but saxophonist Ian Hendrickson-Smith and trumpeter Dave Guy still have their hands raised. Cut to Tonight Show announcer/sidekick Higgins, his hand is also up]
Higgins: three-legged racer with my mother, undefeated in two seasons.
Jimmy Fallon: OK, we have talented staff here… but specifically winter sports? [Camera cuts back to the horn section, they’re now wearing ski racing helmets with sponsor stickers, ski goggles, and padded racing gloves, and their hands are still raised.]
Wow, I had no idea. Ian, Dave, we have to get you on the slopes! My point is, 9th best is pretty damn good for mere mortals. Mikaela, if you had medalled at three Olympics in a row, would your head even fit through the studio doorway?
Mikaela Shiffrin: …
Jimmy Fallon: Do you need a relative failure like that to stoke your fires, to come back bigger and badder?
Mikaela Shiffrin: …
Jimmy Fallon: I want to take you into the multiverse for a moment. There’s a world in which you’re still a great skier, you’re beautiful, you train so hard, you’re on the USA ski team… and 9th is your best finish, ever. That’s what it’s like in this world for many of your team mates. Does that even compute? Would you still be skiing and loving it, or would you have to switch to dominating something else like the trumpet, or three-legged racing? [quick cut to Higgins with cheesy gold-painted youth race medals around his neck, furiously shaking his head “NO”]
Mikaela Shiffrin: …
Jimmy Fallon: What are your plans now this season is over?
Mikaela Shiffrin: …
Jimmy Fallon: Of course, next season [Ahhnold Schwarzenneger voice] You’ll Be Back. Do you have particular goals beyond trying to win every. single. damn. time you’re at the top of a race course? Like breaking the records for wins in other events besides your slalom specialty, or finishing a race on one ski like the great Bode Miller (check it out, folks)?
Mikaela Shiffrin: …
Jimmy Fallon: Besides your “strong head,” are there still areas you’re working on? If you could improve one thing to achieve unstoppable Terminator Mode, would it be faster, better vision/awareness, more controlled or more explosive speed, endurance, or??
Mikaela Shiffrin: …
Jimmy Fallon: So harder, better, faster, stronger. Harder, better, faster, stronger🎶🎵 [Band kicks in playing the Daft Punk song] Harder. Better. Faster. Stronger. [Jimmy and Mikaela get up to dance, the bare-skinned group who carried Mikaela return…] Ladies and gentlemen, it’s been an honor talking with the greatest alpine skier of all time, Mikaela Shiffrin!
I seriously want to see this interview:
I’m genuinely interested in Ms. Shiffrin’s responses, especially to the “what if you were just really good at skiing but no champion” hypothetical.
Jimmy Fallon and Mikaela Shiffrin already have good rapport, this won’t be a stretch for them.
It will be hella entertaining, and will encourage the public recognition that she needs so that she gets the Time/ESPN/Laurea sports personality of the year award instead of it going to the usual someone who chases a ball.
I’m publishing my own work under the Creative Commons’ “No Rights Reserved” CC0 license below to free it of copyright restrictions around the world. Anyone can take this and do anything with it they want without compensating me or even crediting me, including the Tonight Show writers. Come on, make it happen!
To the extent possible under law,
skierpage
has waived all copyright and related or neighboring rights to
“my interview script with the great Mikaela Shiffrin.”
This work is published from:
United States.
Joni Mitchell’s Blue on vinyl has a distortion at times behind her voice and piano. Time to buy a digital track and see if it’s still there. What the heck, go big and get the 192 kHZ 24-bit FLAC high-res audio. whatNerd has a list, “The 7 Best Sites to Buy Lossless and Hi-Res Music”:
Bandcamp: it’s a great resource to directly buy music from new musicians without going through a label, but Ms. Mitchell isn’t on it.
Acoustic Sounds. “alas we’ve reached the decision to cease operating our Acoustic Sounds Super HiRez digital downloads service”.
ProStudioMasters: album available for $25.99 released May 28, 2013
NativeDSD: not available. I’ve blogged that DSD is supposedly an awesome format for a digital master, and some obsessive Roon users re-encode all their music to DSD 512 before sending the bits to their music player, but it seems mostly classical tracks are available to buy in DSD.
7digital: it only has her later Geffen releases, and only in 16-bit 44 kHz FLAC format.
HIGHRESAUDIO: seems to be a UK site, only has The Reprise Albums boxed set and Blue outtakes, unclear what formats it offers but has a badge for the dubious proprietary MQA format, and “due to territorial constraints and also different releases dates in each country you currently can`t purchase this album.”
Qobuz (the high-res streamingit across service also offers a store for downloads): album for only $22.09 , even cheaper at lower resolutions. The big plus is you can buy individual tracks.
So Qobuz it is, $5.18 for “All I Want” and “My Old Man.” This may seem like a lot, but I used to pay more for 45 RPM singles in today’s money (the $1 that a single cost in 1970 is now worth about $7!). Alas Qobuz has a $0.52 fee for paying with PayPal. The two songs are 70 MB each, about 10 times bigger than a quality MP3 encoding. (I remember the breakthrough when Macromedia was able to fit a song onto a floppy disk with MP3 compression.)
Sounds good…
OK, get the Roon server audio player working again on my Fedora laptop. It’s a great player for your digital audio files, but Roon’s default setup installs it as the root user😨! Roon expect you to install it on dedicated hardware, while I’m running it on my laptop so I fiddled around to install as a separate roon user with limited rights. Tell Roon to play the digital audio files through my Orchard PecanPi streamer, toggle my monstrous VTL tube power amps to their balanced XLR inputs and listen!
Tiny digital → huge analog
There’s still a bit of soft crackling-but-not-like cellophane behind her voice 😢, though much less behind the piano. What’s going on? I’ve heard this noise on a friend’s high-end stereo too. Is this intermodulation distortion in audio systems or is it inherent in the recording? Otherwise the digital soundstage feels wider: there’s none of the overlap of the left and right channels that you get when two angled walls are pushing a diamond on a thin cantilever from side-to-side in a piece of vinyl. The details are clearer than my vinyl, but it doesn’t have that vinyl warmth… which might just be the rolled-off treble and overlapping stereo channels. Who knows. I just want songs I love to sound amazing without worrying about the details.
Own or stream?
I really should upgrade to Qobuz from YouTube Music (formerly Google Play Music YouTube GoldRedPremium) so I can listen to music in hi-res audio without buying the track, and get a discount if I do buy it; and Qobuz integrates with the Roon audio player. Especially now that YouTube family membership is $23 a month. But then I read comments on YouTube videos about music from all the people complaining about incessant ads. By paying I never see any ads, even on a Roku TV streamer where I can’t run the great uBlock Origin ad-blocker for Firefox.
Digital taste test
I should buy the MP3s of the songs and do a blind test to see if my aging ears can tell the difference. But there are confounding factors: the higher-res audio files might be mastered a fraction of a dB higher because undetectably louder always sounds better (the Beatles on USB did this with the FLAC versions), and it’s unclear if the high-res Blue files are from the remastered album or the original.
The high-res files on this object d’art were made louder so they sound “better”
Companies treat government-mandated disclosures as a bureaucratic cost to be minimized rather than a chance to help their customers. So I get illegible tax form verbiage on Umpqua Bank’s 1099-SA form, printed on the envelope of my form to save a few pennies. What is this useless illegible 2.5-point font size s**t?! At least print a big legible “Read this stuff at the URL xyz on our web site.”
It’s even stupider than it looks (or would look if you could read this 💩), because Umpqua prints the full disclosure info for 11 different 1098, 1099, and 5498 forms on the envelope, even when it only contains one of the forms. Not helpful! I’m surprised some Americans with Disabilities Act-chasing lawyer hasn’t sued their asses.
Jeff Beck died, now David Crosby. So I listened to If Only I Could Remember My Name, his solo album. It’s beyond star-studded, Wikipedia: “Guest musicians on the album include Graham Nash, Neil Young, Joni Mitchell, and members of Jefferson Airplane, Santana, Quicksilver Messenger Service, and the Grateful Dead; the ensemble was given the informal moniker of The Planet Earth Rock and Roll Orchestra.” It’s an indulgent meandering set of songs (only five with proper lyrics) but some of the songs have a kind of appeal. The mysterious harmonies are a step beyond the Beach Boys and Beatles. To tell the truth I can’t reliably identify CS&N’s voices; Graham Nash is higher, Stephen Stills rougher?
A couple of the songs like “Tamalpais High” are so reminiscent of CS&N’s “Guinnevere”. I remember buying So Far because I’d heard some of the hits and for its Joni Mitchell cover, I couldn’t believe how great “Suite: Judy Blue Eyes” was. I didn’t grasp until now that it’s a compilation album (Wikipedia: “the concoction of a greatest-hits album from two LPs and one non-LP single”); no wonder it’s so great.
David Crosby will probably be remembered as the John the Baptist heralding (and sleeping with) Joni Mitchell, not a bad place to have in history.
I was in a store and heard the song, but wait! it’s Macy Gray. It turns out she recorded her own version of the entire Talking Book album on its 40th anniversary in 2012. While listening to it again, YouTube Music Premium Red Gold Google Play also volunteered Michael McDonald’s version off his second volume of Motown covers, Motown Two.
Both Macy and Michael have stronger bass than Stevie’s Moog bass on the original; both more present in the mix and doing more inventive things. (I can’t figure out who’s the bassist for Macy Gray, sadly there are no details on Wikipedia and Discogs, her web site is taken over, and I can’t get from any archived version of the front page of her web site on the Wayback Machine to any details of the album; Michael McDonald has a ridiculous set of players on his album according to Wikipedia, the bassist could be Nathan East or Abraham Laboriel.) But:
Stevie Wonder’s drumming is incredible. In the chorus it’s pre-proto-disco hi-hat, but it’s an organic whole with his snare. Macy’s drummer (again, no idea who’s the drummer) can’t unlearn disco hi-hat. Michael’s drummer (could be the great Vinnie Colaiuta, or Abe Laboriel Jr., or Nicky Shaw) is just tight; mostly closed hi-hat, tight fills.
Stevie Wonder has phenomenally expressive keyboards. Macy doesn’t even try and pushes her keyboards down in the mix; Michael goes for more keyboard colors (he has all kinds of guest stars on keyboards), but none of them have the intense variations of volume and wah-wah that Stevie has.
Stevie Wonder’s got David Sanborn’s oddly hollow sax (I think this might be Sanborn’s first big break) giving a unique feel, from the unexpected tentative bass sax notes in the intro to the muted wailing in chorus after chorus.
It’s really hard to do a better homage than the original.
And of course, Talking Book has Jeff Beck (24 June 1944 – 10 January 2023)’s lovely, lovely guitar break on “Lookin’ for Another Pure Love” 😭.
If every country had followed France after the 1970 oil crisis, the world would be generating a majority of its electricity from low-carbon nuclear, and nuclear plants would have probably got cheaper and quicker to build so replacing the aging plants would be affordable (instead of France’s struggle).
But ardent fans keep pointing out that nuclear is a reliable low-carbon source of electricity!, while wind and solar are reliably intermittent! Someone on CleanTechnica asked me:
I’ll posit a quick question: would it be better to have 2x as expensive electricity by swapping to the proven nuclear tech, or to risk grid unreliability (and a fall back to fossil fuels) by rapid RE adaptation?
Quick question, tricky answer. Yes, I’m willing to pay a lot for 100% low-carbon electricity 100% of the time, but I’m rich. (It’s a shame there isn’t a GoFundMe for nuke supporters to crowd-fund a small reactor for their electricity, so they can put their money where their mouth is.) I already pay more for “100% green” electricity through a city program which contracts for renewable generation equal to total electricity consumption, but customer service unwillingly admitted the kilowatts aren’t guaranteed to be low-carbon on a windless night.
Electricity is always reliable if you’ll pay any price for it
There won’t be grid unreliability for customers who roll the dice and pay the hourly market rate for electricity; they’ll just be faced with very high electricity costs at times. Major industries and people with V2G will reduce their consumption and muddle through, poor people will get hammered. (This already happened in Texas and UK where companies that sold market-rate electricity begged their customers to change plans before a freeze.)
Handling intermittent renewable generation
It’s the role of regulators to require utilities to be able to provide enough power at all times, but it’s complicated when demand is variable. For now the cheapest approach is to keep existing nuclear plants operating, despite their high cost per MWh, and have enough gas plants sitting around to handle demand when renewables aren’t generating (plus add grid batteries for short demand spikes). In California’s case, the utilities didn’t build enough solar plus storage, and so they struggled to meet peak demands during heat waves. It will be interesting to see if utilities order new gas plants to meet increasing electricity demand for those times when renewables aren’t producing; the optics of it look terrible for the environment, but if the plants are rarely used the utilities could still be reducing overall carbon intensity of their electricity. The big problem for nuclear is it is poor fit for such occasional provision of reliable electricity; it may heroically step in during a long windless winter stretch, but the rest of the time it’s hopelessly uneconomic per MWh compared to wind and solar: that Lazard analysis says Solar PV-thin film utility scale costs $28-37 per MWh, wind is $26-50, and new nuclear costs $131-204. That’s why some nuclear startups hoping to build small modular reactors are pivoting to continuous hydrogen production or other industrial needs for continuous electricity plus heat. It may be a good business decision but it’s a bad sign for their viability as simple electricity providers.
Decreasing emissions now is easy, zero emissions is a problem for the future.
Separate from reliability requirements, I’m all for requiring utilities to provide low-carbon electricity all the time even though it will increase electricity prices. That would certainly boost nuclear’s prospects; but it seems on any phased transition, utilities will continue to install gigawatts of cheap and quick renewables and leave decarbonizing the last ~25% of generation as a future problem to be solved. Maybe by then one of the small molten sodium liquid thorium modular blah blah designs will have proven itself to be quick and cheap. It’s great that NuScale recently got approval for its SMR nuclear plant design(s); we’ll see how its UAMPS test plant in Idaho goes (projected to come online in 2029) and whether its design exercise for a plant in Romania amounts to anything.
Five years later, I’m still listening to audio through a Chromecast Audio dongle plugged into my aging Jambox!
I could get a soundbar, but they tend to be over 36 inches wide, too long to easily flip from facing my office area to facing the kitchen and dining room. What I should do is get a separate proper pair of high-end nearfield speakers on my office desk, but that’s a custom up-down adjustable motorized desk and it’s already leaning to one side due to all the crap I have on it.
Bluetooth speaker
I think all of these still come with 3.5 mm aux in sockets, though few come with any other kind of wired connection any more. Apparently Bluetooth is much better and doesn’t suffer dropouts; maybe third times a charm. They mostly operate/charge on USB C. Very few support Chromecast Audio, and even fewer still have an optical connection that would allow my fraying Chromecast Audio dongle to connect digitally instead of over a 3.5mm aux input.
CNET recommends Soundcore Anker Motion Boom Plus for $180.
Wirecutter recommends Sony SRS-XG300 X-Series for $350 (!) with dopey ambient party lighting. Comes in a nice gray fabric. Battery power, but no Ethernet, USB, optical in; no Chromecast, no Roon.
PC Mag recommends the Astell&Kern Acro BE100, more an interior speaker, nice design for $450. But no battery, not outdoor, no Ethernet, no USB, no optical in; no Chromecast, no Roon, and another vote for the SRS-XG300.
B&W Formation Wedge is $1,000 (!) and is Roon ready! No battery, not outdoor, has Ethernet but no USB or optical in and not even 3.5mm aux input; instead has Ethernet or WiFi (and Bluetooth), no Chromecast.
Denon 350 in white for $500 supports Roon but not Chromecast, has Ethernet and USB (for storage, not I think for digital audio stream) but no optical in for Chromecast Audio.
Maybe I should accept the hassle of repositioning two speakers, and just go for KEF LSX IIs for $1,400 (and $180 for the desk pad stands!) . They still have USB input, and Ethernet.
