Wuff

I blog a lot about music. I want you to be able to play the songs I write about. You probably pay for a music streaming service that has millions of songs on it including the ones I discuss; you might even have a downloaded .mp3 file of the song on your computer. But I can’t put a “Listen to this track” link on a web page 😢😠.

The obvious thing to do is have a standard music intent on web pages: ⏵click to listen to “the song ‘I’m Mandy Fly Me’ from the Japanese 2008 reissue of the 10cc album How Dare You” and the song starts playing in your music system of choice. The same way I can put a tel:+1-212-555-1234 link in a web page and if you click it your smartphone offers to make the telephone call.

But there’s no such thing. The best I can do is embed a YouTube player featuring some rendition of the song that I found on YouTube. In cases where the artist doesn’t have an official presence on YouTube, I’ll link to a popular video uploaded by some random fan, that doesn’t have too pointless a “video” display of album covers and random pictures, and hope that their video remains online.

Considerations

As my example suggests, I might want to feature a very specific instance of the recording. YouTube Music irritatingly seems to pick the most recent version of the track, often from a compilation, that has been remastered (damn loudness war). It would be nice if your music streamer could say “I don’t have the particular version, but I have an edited version from the 1970s Go Pop compilation”.

I need to be able to control the playback, to say “Listen to the harmonies at 1:28 in ‘I’m Mandy, Fly Me’.” (This shades into the issue that videos and web pages are poor multimedia experiences, which I blogged about.)

What’s a suitable ID?

Wikidata Q number for a track?

Wikidata actually has an item for the song “I’m Mandy Fly Me,” Q12317871, which links to the song’s ID on Discogs, Freebase, and MusicBrainz. So maybe just have a play-music:Q12317871 intent and make streaming services look this up when the user’s browser starts it and hands it this URL. But I think Wikidata only covers songs that have an article on some Wikipedia, it doesn’t have items for all of the millions of songs uploaded every year. It seems (see “nerd alert” below) that Wikidata only has items for either 30,000 or 670,000 music tracks, a tiny amount . Maybe Bandcamp could take this on, but not all musicians are on Bandcamp.

ISRC?

Eventually Claude.ai suggested I look at ISRC (International Standard Recording Code). I don’t know how many codes this has, but a search for the song by 10cc returned 41 results, one of which might be the right one So maybe play-music:GBF087500011 is the right link (Wikidata doesn’t have any ISRC for “I’m Mandy Fly Me”).

Discogs or MusicBrainz ID?

Discogs and MusicBrainz also have IDs for lots of tracks. Discogs (a great resource for musician/producer/songwriter credits) seems more for collectors tracking down different physical recordings of a song; Wikidata says “I’m Mandy Fly me”’s Discogs “master ID” is 280200 which brings up 22 different versions of the 45 RPM single. I think MusicBrainz is for fingerprinting different versions of a track; Wikidata says the song’s MusicBrainz “work ID” is 9812b3a5-68f6-4c62-b5a9-72b55c5e062c and it brings up dozens of versions of the song from different compilation albums, with slightly different lengths.

Song information matters

Another benefit of a play-music:songTrackID intent/link is the site(s) that maintain the information for songTrackID independent of a particular streaming platform could also provide all the song credit information that is so sadly lacking when you just stream or click play on a song. If there isn’t a Wikipedia article about the song or album, how do you learn who sang the backing vocals or where it was recorded? (Macy Gray’s version of “Tuesday Heartbreak,” I’m looking at you!) Roon (not a streaming service, but excellent software for organizing and playing back your own digital music files) has fantastic metadata for millions of songs so you can explore other songs featuring the same drummer or produced by the same producer, but this information arguably should go with the song, not be dependent on a third party.

Wikidata has a whole data model for this, for example there’s a producer property and a performer property, as you can see for the track Imagine. Ignore the very dry data-centric presentation on the Wikidata site, and imagine this tuned specifically for information about a song. The data model does propose adding Amazon/Deezer/Melon/Shazam/Spotify/Tidal track IDs for tracks, but I don’t think this has happened yet. Wikidata doesn’t include lyrics, undoubtedly due to murky copyright considerations, but many streaming music players now show them so lyrics can be left to the user’s music player.

Also playlists

After you’ve read my words of wisdom, you might want to access a playlist of all the songs I’ve written about. This is especially important for long pieces or interviews that mention dozens of songs. But the best they can do is embed a Spotify or Apple Music songlist player, ignoring everyone paying for Amazon Music, Deezer, Qobuz, Tidal, YouTube Music, etc. Here’s what NPR does:

NPR also has a “Here’s the song, you figure it out” approach. If you click (⏵) View the Tony Bennett show playlist on its Tony Bennett Profile , you get a static text list:

Third-party solutions abound

I DuckDuckGo’d and found web pages like “14 Best Music Smart Links in 2024” and “Your Ultimate Guide to Music Links: Accessing Key Music Resources.” From the former

Smart music links can be created using a music url generator, such as SoundLink, Linkfire, Linktree, ToneDen, Hypeddit, Soundplate, Songwhip, Feature.fm …, and many more. Users can use these services to create custom landing pages for their music, where they can choose which platforms to include and customize the page’s look and user experience.

The landing page these services provide looks something like this:

But this is the wrong approach. I don’t want to involve a third-party “music link platform” that provides a separate landing page that figures out links while also tracking my users; I want my reader’s computer to resolve a music intent link to play a song or load a playlist.

There are all kinds of “schemes” you can put in a URL (or a URN? a URI? I can never remember the difference); IANA has a list of official ones and Wikipedia lists some of the unofficial but common ones. There’s no sign of a play-music: scheme.

Efforts to solve this

Tomahawk resolver

Tomahawk (archived site) got some press back in 2013 when it tried to come up with a standard player for music.

Tomahawk is a free multi-source and cross-platform music player. An application that can play not only your local files, but also stream from services like Spotify, Beats, SoundCloud, Google Music, YouTube and many others. You can even connect with your friends’ Tomahawks, share your musical gems or listen along with them. Let the music play!

but the startup went nowhere and the player hasn’t been updated for years. It’s a shame because “In short, given the name of a song and artist, Tomahawk will find the right source, for the right user at the right time” is close to what I want. This is implemented by Tomahawk’s separate resolver code (likewise code that hasn’t been updated for 6 years) which figures out how to locate the track on dozens of music services: “Given a tuple of Artist,Track (or a triple Artist,Album,Track) return a stream URL (and some metadata about it) so that one can play this track.” Great idea. Maybe a triple is better than a single ID for every track, although it doesn’t specify a particular version of the song. The resolver can also open an artist URL, an album URL, or a playlist. Tomahawk also came up with a bookmarklet that “can generate playlists from within web pages. So, if you’re browsing on a site like NPR’s All Songs Considered, and find a song you like, just click the bookmarklet and Tomahawk automatically searches for all the songs listed on the page.” But, again, why involve a third party? I should be able to have a service-independent playlist on my web page, and my reader’s computer should hand it to her chosen music streaming service. And Tomahawk’s demise shows how crazy it is to leave this functionality in the hands of a single third party.

Data Transfer Initiative’s playlist transfer

The Data Transfer Initiative works on policy and technology to empower users to transfer data from one online service to another. One specific example of this is a playlist transfer tool that “allows users of Apple Music and YouTube Music to transfer music streaming playlists between the two services.” Neat, but they don’t seem to be promoting a standard representation of a playlist that I can put into a web page that “just works” in my reader’s music player.

Nerd alert: how many tracks are on Wikidata?

I asked claude.ai to help me count the number of items that are “audio tracks” in Wikidata. It gave me the query to use

SELECT (COUNT(?item) AS ?count) WHERE {
  ?item wdt:P31 wd:Q7302866.
}

and the Wikidata Query Service returned count 7524.

But when dealing with ontologies and knowledge graphs you’re in a maze of has parts and subclasses and such. I asked “Does this include subclasses of a track like a single or a song?” and Claude replied

That’s a great question. The query I provided earlier does not include subclasses of audio tracks. It only counts entities that are directly instances of “audio track” (Q7302866). To include subclasses like singles or songs, we need to modify our query. Let’s create an updated version that includes subclasses.

SELECT DISTINCT ?subclass ?subclassLabel WHERE {
  ?subclass wdt:P279* wd:Q7302866.
  SERVICE wikibase:label { bd:serviceParam wikibase:language "[AUTO_LANGUAGE],en". }
}

but that resulted in a list of 43 things related to an audio track, like “instrumental cover,” “bonus track,” “re-recording,” etc. Eventually Claude came up with a query that includes subclasses of “audio track”:

SELECT (COUNT(DISTINCT ?item) AS ?count) WHERE {
?item wdt:P31/wdt:P279* wd:Q7302866.
}

and this returned count 31056. Then it suggested a query for Q2188189 (musical work):

SELECT (COUNT(DISTINCT ?item) AS ?count) WHERE {
  ?item wdt:P31/wdt:P279* wd:Q2188189.
}

which returned count 674057. Again, I suspect these are mostly items created from Wikipedia articles about significant musical works (I’m Mandy Fly Me has its own article). Considering that the big music streaming services each have over 100 million tracks on them, and 120,000 new tracks are uploaded to them every day (!!), Wikidata currently falls far short as a comprehensive repository of audio track information. It’s nothing that a bulk upload couldn’t fix.

Two commenters on this blog (here and here) randomly asked me about the song “Ulterior Motives (Everyone Knows that)”. I though they were spammers, but it turns out there was a genuine Internet hunt for the song, forming its own subreddit /r/everyoneknowsthat/. After the second comment I tried to figure out what’s up and by then Internet sleuths had tracked down the song.

Its story is great! The original poster who uploaded a 17-second musical snippet said they were practicing ripping audio from DVDs… turns out the song was from an adult movie. Rolling Stone has a great article about the search “Viral Mystery Song ‘Everyone Knows That’ Identified Thanks to Eighties Porno, then a sweet interview with the twins who made it: “After moving to L.A. in the 1980s, Christopher and Philip Booth broke into the movie business by scoring adult films — and one of their tracks went viral decades later.” I look forward to paying for the entire track, these guys deserve something for spawning this song hunt and the song is pretty good. Here’s the song in context starting around 24:38 (I believe the visuals are appropriately blurred out):

But what about my great white whale, my decades-long lostwave search, the one that got away?

Radio Arabesque, a classic mis-remembered

I’ve been looking for the song for decades, I first blogged about it in 2005. I heard it once on the radio, I think in the early 1980s, and somehow it stuck in my mind. It’s a dance-pop song wherein a woman or women sing “This is Radio Arabesque”; there’s an atmospheric bit where they sing “Ahh–ah-ahhh… don’t give in, start to dance, do your thing, Listen to Radio Arabesque” The obvious group is the European 1970s disco girl group Arabesque, but I’ve skimmed through their catalog and can’t find the song, not even on their album Radio Arabesque.

After searching every five years or so for literally decades I feared I was imagining the song, but then my last search for the song found “Radio Arabesque (Saudi-CLub Version)” by Ethno League on YouTube, which has the tune, that bit, and those lyrics starting around 90 seconds in! But it’s also got an overdone club sound with intrusive sound effects, random dialog clips from movies, overcooked percussion, and a more ersatz arabesque sound than I remember. Everything about it including its title screams that it’s remix of a tighter, simpler pop song:

The YouTube description says “Madcat Records (Germany) 1988 Produced and written by Frank Mayer-Thurn; Ethno League is German producer, Frank Mayer-Thurn (who passed in 2009)” So, who/what/where is the original? The 12-inch includes “Radio Arabesque Radio Version,” but that’s just a shorter version of the remix. So I’m still searching for the original recording. There is a woman speaking French in the kitchen sink of the remix, so maybe the original was a French song. The label of the remix also credits Raymond Bayer and C. Huether as songwriters, so maybe they wrote the original song before Frank Mayer-Thrun made the remix.

Unreliable memory

The reddit everyoneknowsthat sub for the “Ulterior Motives” hunt mentioned the Lostwave subreddit, so I asked there about Radio Arabesque. Quickly someone replied “I reached out to Raymund Bayer and I got the following response. He also responded to your YT comment here: https://www.youtube.com/watch?v=IPz28hIATR4

Hi there, this is the original. The hook vocals are no samples, they where sung by Camilla Meyer (Hüther) and also mainly written by her. Frank and me collected the samples and did the production. Also Horst Schnebel (e.g. Sydnney Youngblood) was involved in an early production stage.

Which puts the matter to bed, except my memory tells me I heard a much simpler version years before 1988 without all the dialog bits and with less heavy percussion. Maybe AI can take the remix and turn it into the simpler cleaner pop song that my brain tells me I heard. My remaining lead is Camilla Hüther, whose Discogs page doesn’t list this song, maybe she remembers recording a simpler version. But I don’t know how to reach her.

I can’t remember finding the song I couldn’t find

Writing this reminded me of another lost song. Several years ago my partner watched a fairly forgettable TV crime show called Life starring Damien Lewis. Both our ears pricked up when a song came on, but Shazam didn’t know what it was. Somehow I found people talking online about it, and charmingly the woman who recorded it for a generic movie music supply company it stepped forward, gave the story, and said she would provide an MP3. But I can’t remember where this took place in the amorphous digital sphere! It wasn’t Reddit, it was probably in comments on a YouTube clip of the scene or maybe iMDB discussion of the episode. I even have a “media recommendations” Google Docs where I enter movies, TV, books, and songs that friends recommend, and I didn’t add it to this. Arggghh!

But in the intervening years, companies have seen an opportunity to help track down songs. DuckDuckGo found WhatSong, “the worlds [sic] largest collection of movie & tv show soundtracks and playlists,” and Tunefind by Songtradr, “The Internet’s best source for TV, movie and video game soundtracks since 2005.” The former has the episodes but misses a lot of song data and doesn’t have play buttons for each song; Tunefind seems more complete for this TV show, and I quickly found a song title that sounded familiar in Season 1 Episode 4, press Play, and… Whoomp! there it is! The song is “Goin’ All Night” by Kirsten Proffit for 5 Alarm music. The song got a “release” of sorts on a compilation and you can listen to it on YouTube Music and YouTube (and I gladly bought the MP3 download on Amazon).

A random lost song about zeppelins

I also remember seeing a low-budget music video of an indie pop song with a girl singing about zeppelins. That seems hopeless.